Meditation in Cinema

KIMG1788 (2)Japanese doll

I’m taking a a Rutgers-Camden film history class with first generation Iranian-American professor, Emud Mohkberi.

The paradox he articulates in class, that Japanese director, Yasujiro Ozu, in his films, can focus on the discomfort of family situations while NOT allowing his characters to relish “the moment” (i.e. a kind of meditation) at the same time he affords the viewers the luxury of seeing the truthfulness of such cinematic intimacy (moments) as if it were their own.

I’m enamored of  Japanese films and literature and feel fortunate to better understand my decades-long fascination, hearing the way Mohkberi describes it.

  • The above image is of a doll I received in 1966, made by the grandmother of one of my Japanese students who studied English with me at Sophia University in Tokyo.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s


%d bloggers like this: